#VALHALLA VINTAGE REVERB MANUAL PRO#

Too much reverb creates a swampy mess of feedback that can eat up a mix faster than anything else.įor us, there are three levels of reverb. You’ll know when you have too much reverb as it will reduce the audibility of the important sounds that you want to hear. Reverb helps achieve this depth, though you need to be selective when using it. Some tracks need to feel close to you, while others need to feel further away. Remember, the point of reverb is to create depth. This way, you can add reverb to your other instruments in your mix, such as your guitar, keyboards, synths, etc. The point here is to choose a track that you want to keep upfront (like a vocal, for instance) and don’t add any reverb to it.

Essentially, if all of your tracks have reverb, all of them will sound far away without any of them sounding close. When you drown all of your tracks in reverb, you miss out on that contrast.

#VALHALLA VINTAGE REVERB MANUAL PRO#

In FabFilter Pro R you can change the Early Reflections with the”Distance” knob: In Valhalla Vintage Verb, Early and Late Reflections are linked to diffusion, though other types of reverb plug-ins are different. High diffusion levels breed smoother and warmer reverb while low diffusion levels breed bright, less-colored reverb. We like to think of an empty garage with reflective surfaces. Setting your diffusion levels low gives you a more basic sound. We like to think of a church with a ton of people in it. Setting your diffusion levels high gives you more complex space with obstructive objects. The more early reflections you have in a mix, the more of an echo or doubling effect you get.ĭiffusion, on the other hand, gives you the ability to add or reduce reverb texture. Here is a handy delay and reverb calculatorthat you can use to improve your mixes.Įarly reflections are categorized by sounds that arrive at the listener after being reflected once or twice off of a surface. Tip – Always make sure to time your pre-delay to the track you are working on. Plus, you get the benefit of maintaining a clear signal while still hearing your reverb. Larger pre-delays will create a small delay before your reverb kicks in, giving you the sound of a larger environment. On the downside, no pre-delay can make your reverb sound messy. A short pre-delay time will give you little to no time between your dry and wet signal, creating the sound of a room. Pre-Delay provides you with space between your dry signal and reverb signal. Shorter reverbs, on the other hand, can be brought up a bit more without adding mud. You don’t want your mix to feel like it’s lost in space.

Tip – If you are using longer reverbs, keep them quieter in the mix. In FabFilter Pro-R, the size means “Space”. It all depends on what Reverb plugin you are using, for instance, in Valhalla Vintage Verb, the size is labeled as “Decay”. Larger reverbs will give you a longer, fuller sound, while shorter reverbs will provide you with a narrower, more intimate sound. It is important to note that size can also impact the stereo image.

The size parameter gives you control over the size of your space. The smaller the size, the shorter your reverbs will be, and vice versa. What space do I want to put my sounds in?Ĭhoose the type of reverb that suits your mix in the best way possible, whether you are using it on multiple instruments or a single source. If the reverb you are using has presets, try testing them out to get a sense of what they sound like. Plus, setting up a send rather than sticking your reverb directly on the track gives you more control of your sound. We can then send the sounds that we want to be effected to our reverb bus. This is why we want to create send/aux/bus channels to put our reverbs on instead. Using reverb effects on every channel can cut into your CPU very fast. There are a few steps that we like to take when adding reverb, which include: With reverb, you can bring listeners into a cave, a concert hall, a cathedral, a chamber, or a smaller, more intimate room. Reverb provides mixes with a sense of depth, though it also provides listeners with clues as to where the sound exists. The environment a sound is in can give it several different qualities, including large, thin, dark, bright, and more. The environment informs every sound we hear in real life. Reverb effects in your DAW simulate natural or unnatural reverberations. In real-life, reverb hits a hard surface and bounces back at the listener at varying amplitudes and times to create complex echoes. Reverberation or the reverb effect is meant to replicate external acoustics so that we can use them in our mix. How Do You Get Perfect Reverb Every Time?.Setting Early Reflections and Diffusion.

Valhalla vintage reverb manual